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I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to
I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to
I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to
I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to
I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to
I've been interested in LeRoi Jones/Amiri Baraka's work for quite a while. My first introduction to
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Rashid Johnson:
Dealing with actors is incredibly complex because they oftentimes are like pieces of clay. They wanRashid Johnson:
I was going through a divorce, and I had a lot of reading I was doing, and I developed what was proRashid Johnson:
I started rereading 'The Dutchman' - I kind of just pulled it off the shelf.Rashid Johnson:
What I really hoped to do with my work was to at least be able to define my relationship to race.Rashid Johnson:
I wanted my art to deal with very formal concerns and to deal with very material concerns, and to dRashid Johnson:
My father ran a CB radio business. I grew up in a cluttered space that was filled with radios and aRashid Johnson:
The thing that turned out to be interesting about CB radios was the ability to call out in the worlRashid Johnson:
When I was younger, I would see shea butter being sold on the street, and I was interested how peopRashid Johnson:
I'd begun to collect things that were lying in piles on the floor of my studio. I had run out of spRashid Johnson:
As an artist, I've always felt most comfortable outside of the art supply store. So domestic materi