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Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some ma
Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some ma
Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some ma
Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some ma
Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some ma
Music is like nuclear plants. In a way, it's true! Music is totally artificial. Still using some ma
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Ryuichi Sakamoto:
Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am maRyuichi Sakamoto:
Although I don't understand Russian, I like the sound.Ryuichi Sakamoto:
Time is the main subject for any musicians, music writers, composers.Ryuichi Sakamoto:
Time in our universe is always one way: no going back, no reverse. In music, you can reverse it!Ryuichi Sakamoto:
I was aware of that theme of mortality in my music since around 2009. The decaying and the disappeaRyuichi Sakamoto:
Asian music influenced Debussy, who influenced me - it's all a huge circle.Ryuichi Sakamoto:
I was working with the computer at university and playing jazz in the daytime, buying west-coast psRyuichi Sakamoto:
I have a longing for violin or organ. Is it too simple to say those sustaining sounds symbolise immRyuichi Sakamoto:
We musicians often get inspiration from films and books or photographs, not only by music.Ryuichi Sakamoto:
I don't get so much inspiration from other musicians. Especially alive musicians. Late musicians ar