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Scriabin slept with Chopin under his pillow, and I slept with Wagner under mine. I could not concen
Scriabin slept with Chopin under his pillow, and I slept with Wagner under mine. I could not concen
Scriabin slept with Chopin under his pillow, and I slept with Wagner under mine. I could not concen
Scriabin slept with Chopin under his pillow, and I slept with Wagner under mine. I could not concen
Scriabin slept with Chopin under his pillow, and I slept with Wagner under mine. I could not concen
Scriabin slept with Chopin under his pillow, and I slept with Wagner under mine. I could not concen
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Vladimir Horowitz:
I studied with Felix Blumenfeld, who had studied piano with Anton Rubinstein and composition with TVladimir Horowitz:
You have to open the music, so to speak, and see what's behind the notes because the notes are theVladimir Horowitz:
Behind the notes, something different is told, and that's what the interpreter must find out. He maVladimir Horowitz:
It is important for the musician to learn as much about the composer as possible and to study the mVladimir Horowitz:
The most important thing is to make a percussive instrument a singing instrument. Teachers should sVladimir Horowitz:
To be able to produce many varieties of sound, now that is what I call technique, and that is whatVladimir Horowitz:
Imitation is a caricature. Any imitation. Find out for yourself.Vladimir Horowitz:
I may play the same program from one recital to the next, but I will play it differently, and becauVladimir Horowitz:
I tried playing for the public, and I selected music that I thought would be pleasing to them. TimeVladimir Horowitz:
Life is very busy now. I find that in today's cities, the public is very tired after working the wh