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The underlying process in Northern music tends to be slower and continuous, whatever's happening on
The underlying process in Northern music tends to be slower and continuous, whatever's happening on
The underlying process in Northern music tends to be slower and continuous, whatever's happening on
The underlying process in Northern music tends to be slower and continuous, whatever's happening on
The underlying process in Northern music tends to be slower and continuous, whatever's happening on
The underlying process in Northern music tends to be slower and continuous, whatever's happening on
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Esa-Pekka Salonen:
The Northern idea of form is more of a process. The various units of the form overlap. You can't teEsa-Pekka Salonen:
This conducting thing happened. In 1983 I was sucked into this international career, which was a veEsa-Pekka Salonen:
The music I turn out these days is the kind of music I want to hear myself.Esa-Pekka Salonen:
I can't imagine how many first performances I've done, perhaps 500. Some of them have been very gooEsa-Pekka Salonen:
Pulse as an active means of expression, Stravinsky and Beethoven are the two masters of that.Esa-Pekka Salonen:
Stravinsky is masterly: his harmony is conceived so precisely that it can only be the way it is.Esa-Pekka Salonen:
I've learned a lot from the masters of orchestration, like Ravel and Stravinsky.Esa-Pekka Salonen:
My music wouldn't sound the way it does if I hadn't had the experience of conducting.Esa-Pekka Salonen:
I feel very free and very happy to be a composer.Esa-Pekka Salonen:
There is such a suspicion in today's world of people who do more than one thing, who aren't special