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This continuity of sound and form was something that I became really interested in from working wit
This continuity of sound and form was something that I became really interested in from working wit
This continuity of sound and form was something that I became really interested in from working wit
This continuity of sound and form was something that I became really interested in from working wit
This continuity of sound and form was something that I became really interested in from working wit
This continuity of sound and form was something that I became really interested in from working wit
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Esa-Pekka Salonen:
If the seams are showing, there is something wrong with the performance or the construction of theEsa-Pekka Salonen:
As we watch TV or films, there are no organic transitions, only edits. The idea of A becoming B, raEsa-Pekka Salonen:
Orchestras have become used to the emphasis on the separation of layers, of the ultimate precisionEsa-Pekka Salonen:
I'm still disturbed if a chord isn't together, but your priorities change as you get older.Esa-Pekka Salonen:
After working with Ligeti I began to hear Brahms and Beethoven differently.Esa-Pekka Salonen:
In the range of music that we play - roughly 300 years' worth-there really are more similarities thEsa-Pekka Salonen:
Los Angeles is just a more open place. The way L.A. functions is that people give you a forum. TheySterling Marlin:
I think we'll be in pretty good shape. We've got the same car we ran in all the speedway races sincSterling Marlin:
The guys have a lot of good cars built up. We're going to do some more testing before we go back toSterling Marlin:
We're having a good time. That's what I did last year. If you can't have a good time, you might as