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What is attempted in these film is of course a synthesis. But it can be seen by someone who has his
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his
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Satyajit Ray:
Well the Bombay film wasn't always like how it is now. It did have a local industry. There were reaSatyajit Ray:
There's always some room for improvisation.Satyajit Ray:
There is a ban on Indian films in Pakistan, so that's half of our market gone.Satyajit Ray:
The only solutions that are ever worth anything are the solutions that people find themselves.Satyajit Ray:
The director is the only person who knows what the film is about.Satyajit Ray:
The conception of background music is changing. You use less and less of it these days.Satyajit Ray:
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in BSatyajit Ray:
Particularly in the final stages I always find that I'm rushed. It's dangerous when you're rushed iSatyajit Ray:
My films play only in Bengal, and my audience is the educated middle class in the cities and smallSatyajit Ray:
My cameraman and I devised a method, which we started using from my second film, which applies main