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What we wanted to do was tell a story that felt relatable to anyone who's been a teenager. We haven
What we wanted to do was tell a story that felt relatable to anyone who's been a teenager. We haven
What we wanted to do was tell a story that felt relatable to anyone who's been a teenager. We haven
What we wanted to do was tell a story that felt relatable to anyone who's been a teenager. We haven
What we wanted to do was tell a story that felt relatable to anyone who's been a teenager. We haven
What we wanted to do was tell a story that felt relatable to anyone who's been a teenager. We haven
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G. Willow Wilson:
I've wanted to write comics ever since I figured out it was a job.G. Willow Wilson:
'Lost' makes a lot of sense to me, philosophically.G. Willow Wilson:
To me, writing an ongoing series feels like driving a freight train downhill. All you can do is steG. Willow Wilson:
The more you put out there, the more you have to resolve. 'Air' is the most literary comic I've wriG. Willow Wilson:
A lot of my writer friends - some of whom are brilliant - work when the Muse calls them, for lack oG. Willow Wilson:
My synesthesia is mostly gone - it was a much bigger factor when I was a kid. But having no depth pG. Willow Wilson:
To me, a staircase looks like a series of dark and light horizontal stripes, which is exactly how yG. Willow Wilson:
'Air' is very placeless - it's set in many different countries, and much of the story is about goinG. Willow Wilson:
In prose, you have a lot more room for digression, for very meaty kinds of dialogues. In graphic noG. Willow Wilson:
I don't want to compare myself to somebody like Fitzgerald or Hemingway, but I feel like, for some