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When I was making my debut as an artist, I felt that it was very important that I try to combine th
When I was making my debut as an artist, I felt that it was very important that I try to combine th
When I was making my debut as an artist, I felt that it was very important that I try to combine th
When I was making my debut as an artist, I felt that it was very important that I try to combine th
When I was making my debut as an artist, I felt that it was very important that I try to combine th
When I was making my debut as an artist, I felt that it was very important that I try to combine th
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Takashi Murakami:
In Japan, after having lost World War II, the hierarchy that used to exist in the society, from theTakashi Murakami:
In the West, it's just a given that art exists in this high-class place. But in Japan, there's no hTakashi Murakami:
I don't think it's an unnatural thing at all for my collaborations or projects to be seen as art buTakashi Murakami:
My company, Kaikai Kiki, is unique because it's an art business. I had to find out how to do this bTakashi Murakami:
Every day, I have new ideas. It makes my brain tired, so I spend time taking care of company qualitTakashi Murakami:
I don't always enjoy curating, but I do believe it's part of my job. It's a good exercise for my brTakashi Murakami:
As a young artist in New York, I thought about postwar Japan - the consumer culture and the loose,Takeoff:
We want our legacy to stand upon the youth. We want to give knowledge to the younger generation andTakeoff:
We play a beat for 15, 20 seconds and know if we want to get on it. When we record a verse, it's noTakeoff:
We owned the mixtape game, and every mixtape we put out was like an album.