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When I'm working on a film, I think about how it will play with a tiny audience of friends whose op
When I'm working on a film, I think about how it will play with a tiny audience of friends whose op
When I'm working on a film, I think about how it will play with a tiny audience of friends whose op
When I'm working on a film, I think about how it will play with a tiny audience of friends whose op
When I'm working on a film, I think about how it will play with a tiny audience of friends whose op
When I'm working on a film, I think about how it will play with a tiny audience of friends whose op
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Doug Liman:
My dad couldn't connect to my wanting to be a filmmaker. He was very connected in entertainment, anDoug Liman:
I go into a movie sort of saying what it's not going to be.Doug Liman:
To be a lone filmmaker thousands of miles from home with nobody believing in me, that seems romantiDoug Liman:
A part of me is a liberal New Yorker involved in politics and certain attitudes about movies. I kinDoug Liman:
I probably shouldn't treat interviews as therapy sessions, but I don't keep a diary, so these end uDoug Liman:
I realize I am contradictory: I have an independent filmmaker's sensibility and a Hollywood directoDoug Liman:
The beating heart of your story... that's not what shows up in a trailer. The other stuff is what sDoug Liman:
It's no secret that my process is a little bit loose and can be a little bit infuriating to a studiDoug Liman:
I never want to repeat myself. I can't imagine anything else as upsetting as realizing I'm redoingDoug Liman:
I make movies for me and posterity. I'm more scared of history than I am of the studio.