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When we began filming, these people had legs, but as we were filming, they had been injured and the
When we began filming, these people had legs, but as we were filming, they had been injured and the
When we began filming, these people had legs, but as we were filming, they had been injured and the
When we began filming, these people had legs, but as we were filming, they had been injured and the
When we began filming, these people had legs, but as we were filming, they had been injured and the
When we began filming, these people had legs, but as we were filming, they had been injured and the
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Mohsen Makhmalbaf:
When I came out, and for many years afterwards, it had become a habit for me to sit and read and reMohsen Makhmalbaf:
Usually people like to categorise artists. With my films, I categorise people: if I know which oneMohsen Makhmalbaf:
There's an 800 kilometer border between Iran and Afghanistan.Mohsen Makhmalbaf:
The style depends on the subject.Mohsen Makhmalbaf:
The question in their minds was, why did the outside world, and particularly the Western world, proMohsen Makhmalbaf:
The Buddhas had to be destroyed by the Taliban to get the world thinking about Afghanistan.Mohsen Makhmalbaf:
Rumi, who is one of the greatest Persian poets, said that the truth was a mirror in the hands of GoMohsen Makhmalbaf:
In many ways, it is very real, because I sat there for 9 days, and it was constantly happening, andMohsen Makhmalbaf:
In Afghanistan, this is the problem, because everybody holds a piece of that mirror, and they all lMohsen Makhmalbaf:
If I make two films in a year, they'll be different. This is my style - I can't have just one way.