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Whereas my producer literally worked on this thing for 10 years and because I gave that presenter c
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter c
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter c
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter c
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter c
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter c
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Terry Zwigoff:
I think the other misconceptions when the film came out, he was very upset that it was so widely reTerry Zwigoff:
Luckily, he was in the process of moving to France at the time, anyway. But if he had stayed in theTerry Zwigoff:
Because I found myself telling the story of his family to people without the visual aids that I wasTerry Zwigoff:
And I sense it was a rather constructed, almost half narrative fiction film in some ways. A lot ofTerry Zwigoff:
Well, that was certainly - to me, until we could film in Charles' room, I didn't even want to botheTerry Zwigoff:
So I told Robert from the start that if we couldn't get Charles and Max to take part, but especiallTerry Zwigoff:
The things I want to make into a film, they're personal, esoteric things, and I don't expect anyoneTerry Zwigoff:
I'm not trying to be self-serving, but you know, you get to Hollywood, and if you want to make someTerry Zwigoff:
The first scene I ever shot for 'Louie Bluie,' on that first day, I had never seen the camera beforTerry Zwigoff:
Oh yes, I've been approached to do all sorts of nonsense. How about a remake of 'West Side Story?'