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You can't imitate; all our faces are constructed differently... and the vocal cords; otherwise, we'
You can't imitate; all our faces are constructed differently... and the vocal cords; otherwise, we'
You can't imitate; all our faces are constructed differently... and the vocal cords; otherwise, we'
You can't imitate; all our faces are constructed differently... and the vocal cords; otherwise, we'
You can't imitate; all our faces are constructed differently... and the vocal cords; otherwise, we'
You can't imitate; all our faces are constructed differently... and the vocal cords; otherwise, we'
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Beverly Sills:
At the beginning, I thought, 'Oh, I can't criticize a singer who's doing a role that I adored... evBeverly Sills:
This joyfulness that I felt when I sang, and this need to communicate with people, these are my twoBeverly Sills:
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I waBeverly Sills:
I began by listening to my mother's collection of Amelita Galli-Curci and Lily Pons records, and thBeverly Sills:
When I was general director of City Opera, we were pioneers in the practice of projecting supertitlBeverly Sills:
I love Massenet - 'Manon' had been a wonderful role for me - and the music he wrote for 'Thais' isBeverly Sills:
The 'Daughter of the Regiment' that I did in Boston was vintage Sarah Caldwell, which is to say itBeverly Sills:
Opera became popular in Texas the same way it did in a lot of previously isolated regions of the naBeverly Sills:
My parents never told me about Papa's lung cancer or the desperate nature of the operations he wasBeverly Sills:
My father died five days before I returned to New York. He was only fifty-three years old. My paren