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You need a great idea, but then you've got to carry it through. If you get it right, you're going t
You need a great idea, but then you've got to carry it through. If you get it right, you're going t
You need a great idea, but then you've got to carry it through. If you get it right, you're going t
You need a great idea, but then you've got to carry it through. If you get it right, you're going t
You need a great idea, but then you've got to carry it through. If you get it right, you're going t
You need a great idea, but then you've got to carry it through. If you get it right, you're going t
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Ian Rankin:
My first novel was turned down by half a dozen publishers. And even after having published five orIan Rankin:
I used to think that: whenever I heard that someone had taken 10 years to write a novel, I'd thinkIan Rankin:
No matter how many awards you've won or how many sales you've got, come the next book it's still aIan Rankin:
I'm interested in Scotland now and then, how it's changed. I want to get the reader to think aboutIan Rankin:
I've always written. At the age of six or seven, I would get sheets of A4 paper and fold them in haIan Rankin:
Right from the very beginning, I knew I wanted to write palpably Scottish fiction.Ian Rankin:
I wrote my first short story for a competition and won second prize. Another competition came up anIan Rankin:
I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dadIan Rankin:
A lot of writers, especially crime writers, have an image that we think we're trying to keep up witIan Rankin:
The most difficult part of any crime novel is the plotting. It all begins simply enough, but soon y