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A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I a
A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I a
A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I a
A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I a
A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I a
A kind of synthesis, but with some elements that perhaps you wouldn't have expected in advance. I a
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Evan Parker:
You know, the whole philosophy of ad hoc combinations has its strengths and its weaknesses.Evan Parker:
To speak about notation as the only way that you can guarantee structure of course is already veryEvan Parker:
Certain kinds of speed, flow, intensity, density of attacks, density of interaction... Music that cEvan Parker:
In a certain sense, aspects of my solo playing were developed in order to test the theory about howEvan Parker:
There are many of these apparent philosophical paradoxes or contradictions which don't concern me aEvan Parker:
Improvisation is a compositional method.Evan Parker:
If I think about the way I was drawn into the music, it was much more by recordings than by live peLurlene McDaniel:
Old characters never die, but I do need to take a break from them in order to create new ones.Lurlene McDaniel:
On TV, stories and events are finalized in 30 or 60 minutes, or neatly tied up after a season or twLurlene McDaniel:
By using novels, I show ordinary kids confronting and overcoming great odds.