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After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd
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Cliff Chiang:
'Human Target' was probably one of the best projects I ever worked on - that and 'Dr.Thirteen.' I jCliff Chiang:
Something like 'Dr. Thirteen,' which features no big characters, was probably the most fun thing I'Cliff Chiang:
Paul Smith's artwork was so elegant and so graphic, so I think that's always had a strong effect onCliff Chiang:
I do all my coloring on PhotoShop - it's good and bad: It helped refine my color, but I do miss theCliff Chiang:
I'm always changing my style.Cliff Chiang:
Each book requires a different look. Sometimes I get to take a personal direction that's appropriatCliff Chiang:
I don't like to be pigeon-holed.Cliff Chiang:
Really, subtlety is what is really important to me and my work.Cliff Chiang:
'Paper Girls' in 1900 would be really cool. The girls could ride those old bicycles with the giantCliff Chiang:
If the reader doesn't care or relate to the characters, all that visual spectacle is pretty but fee