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Albert Grossman called my office and spoke with my partner Richard Leacock and asked if we'd be int
Albert Grossman called my office and spoke with my partner Richard Leacock and asked if we'd be int
Albert Grossman called my office and spoke with my partner Richard Leacock and asked if we'd be int
Albert Grossman called my office and spoke with my partner Richard Leacock and asked if we'd be int
Albert Grossman called my office and spoke with my partner Richard Leacock and asked if we'd be int
Albert Grossman called my office and spoke with my partner Richard Leacock and asked if we'd be int
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D. A. Pennebaker:
I think, in general, independents don't have a lot of access to really good scriptwriters or actorsD. A. Pennebaker:
Filming is a witnessing process. You don't try to control it, even though sometimes you wish you coD. A. Pennebaker:
To make theater out of real life, you need to catch dialogue when it happens.D. A. Pennebaker:
If you're filming somebody doing something they really want to do, you're probably not very high onD. A. Pennebaker:
When you're editing, you're putting it together in a way that makes sense metaphysically. You're noD. A. Pennebaker:
Animals are companions on this planet, not necessarily our feedbags.D. A. Pennebaker:
One of the things we found out as we filmed with people who dealt with chimps, and with all animalsD. A. Pennebaker:
I heard the new film, 'Tangerine,' was filmed entirely on iPhones. No cameras were involved!D. A. Pennebaker:
It was interesting to shoot history as it happens, without anyone demanding a huge story.D. A. Pennebaker:
Well, it is curious what lasts and what doesn't. Publishing empires and whatnot would pay anything