Ambiguity is our permanent state, isn't it? We don't like it being so. Most of us crave order and routine, and yet yawning before us is our future, as frightening as it is thrilling.

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• Paul G. Tremblay:

  The closer a horror story gets to the truth of things, the more affective it is going to be.

• Paul G. Tremblay:

  I've been a fan of horror and studying it for as long as I can remember.

• Paul G. Tremblay:

  My first two novels were quirky detective stories followed by a couple of SF/Fantasy novels.

• Paul G. Tremblay:

  A large part of the appeal of this novel when I was lucky enough to stumble across the story idea f

• Paul G. Tremblay:

  I usually dread writing non-fiction. I don't feel comfortable or confident writing essays and the l

• Paul G. Tremblay:

  I always wanted to write a book that would have people talking, theorizing, arguing.

• Paul G. Tremblay:

  Marshmallows are kind of weird. I'm not a huge fan. I mean, they're fun when they get molten and me

• Paul G. Tremblay:

  I don't consciously sit down thinking I'm blurring genre lines, for the most part. I try to stay fo

• Paul G. Tremblay:

  Any day in which I get writing done is ideal to me.

• Paul G. Tremblay:

  There's no objective reason anyone can point to that proves a horror story is innately inferior or