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An auditory scenario for the players to act out with their instruments.
An auditory scenario for the players to act out with their instruments.
An auditory scenario for the players to act out with their instruments.
An auditory scenario for the players to act out with their instruments.
An auditory scenario for the players to act out with their instruments.
An auditory scenario for the players to act out with their instruments.
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Elliott Carter:
Silences between movements are employed only in order to bring the opposing duo to the fore.Elliott Carter:
Well when I was young, when I was very young, when I was a little boy I don't remember the music IElliott Carter:
I've known those pieces ever since I was about 16 or 17; I also at that time was taken to meet CharElliott Carter:
In any case, Ives encouraged me to go into music even though he himself had such a hard time beingElliott Carter:
It was only later on that I became more interested in older music.Elliott Carter:
These wealthy people were very interested in contemporary music. They wanted to help diffuse it andElliott Carter:
Then, when the Depression came, all of this changed completely. Since that time, the entire publicElliott Carter:
I mean the public likes it more in Europe than they do here because the state supported organizatioElliott Carter:
Talking about a materialistic thing, I get about 13 times more royalties from Europe than I do fromElliott Carter:
Yes, I get a report from BMI about the frequency of performances, and it is very surprising. They p