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Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anythi
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anythi
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anythi
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anythi
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anythi
Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anythi
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Henry Selick:
Stop-motion is sort of twitchy; you can feel the life in it. If we were to remove that completely,Henry Selick:
I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself -Henry Selick:
My mother is a huge fan of my work. I told her about 'Coraline' long before the film was made, andHenry Selick:
What stop-motion does best is present real objects magically brought to life in a very imperfect siHenry Selick:
Cyclops, that's like this primal fear. I had dreams for years that the Cyclops was a small creatureHenry Selick:
As a director, I'm not the one animating every frame, every shot. I'm moving around like a surgeonHenry Selick:
Very few people have made the transition from animation to live-action; I'm certainly not one.Henry Selick:
I feel I'm just meant to do stop-motion. Live-action is much more glamorous to some, but it's basicHenry Selick:
People are very harsh critics of animated humans.Henry Selick:
While I was making 'Coraline' I barely got to see any films at all, so I've got a lot of catching u