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Around the world, our cities are not the idealised open, accessible, and cosmopolitan spaces of our
Around the world, our cities are not the idealised open, accessible, and cosmopolitan spaces of our
Around the world, our cities are not the idealised open, accessible, and cosmopolitan spaces of our
Around the world, our cities are not the idealised open, accessible, and cosmopolitan spaces of our
Around the world, our cities are not the idealised open, accessible, and cosmopolitan spaces of our
Around the world, our cities are not the idealised open, accessible, and cosmopolitan spaces of our
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Uzodinma Iweala:
U.N.-orchestrated gatherings are typically the death of all spontaneity and innovation.Uzodinma Iweala:
Lagos is a fascinatingly infuriating place that its residents love - and love to hate. Licence platUzodinma Iweala:
Lagos is sometimes emblematic of disorder. In traffic, drivers make their own rules. There is a conUzodinma Iweala:
As an adult, I discovered Claritin, and my whole world changed.Uzodinma Iweala:
Washington, D.C., is not a subtle city. Unlike the capitals of other once-great powers which, manyX. J. Kennedy:
As a writer given to the old formalities of rhyme and meter, I sometimes feel endangered these daysX. J. Kennedy:
My real name is Joe Kennedy, but if you live in Massachusetts, you can't sign 'Joe Kennedy.' So, baX. J. Kennedy:
I don't think anybody is a poet 24/7, only in those rare moments when a person is producing a poem.X. J. Kennedy:
To me, a poem that's in rhyme and meter is the difference between watching a film in full color andX. J. Kennedy:
I like poems where you don't really know whether to laugh or cry when you read them.