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As artists, we can't help but infuse our art with our own experience, so your experience becomes in
As artists, we can't help but infuse our art with our own experience, so your experience becomes in
As artists, we can't help but infuse our art with our own experience, so your experience becomes in
As artists, we can't help but infuse our art with our own experience, so your experience becomes in
As artists, we can't help but infuse our art with our own experience, so your experience becomes in
As artists, we can't help but infuse our art with our own experience, so your experience becomes in
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Rachel Morrison:
The theatrical experience is also a communal one. When people saw 'Fruitvale' in the theater, thereRachel Morrison:
I've had something like seven films at Sundance, one of which won the Grand Jury Prize.Rachel Morrison:
Half of 'Mudbound' were shots I stole in between other scenes.Rachel Morrison:
A period film is a gift for a cinematographer.Rachel Morrison:
It's hard to go back to shooting contemporary apartment interiors after you shoot something like 'MRachel Morrison:
Lighting practically whenever I can when shooting period really helps with authenticity.Rachel Morrison:
I didn't want 'Mudbound' to feel stylized in any way.Rachel Morrison:
I came up in photography, and Dust Bowl-era photography is a lot of the reason that I got behind thRachel Morrison:
My experience - I'll never know what happens behind closed doors or why I don't get hired for sometRachel Morrison:
The big trick is just to get to a point where we're just considered DPs, and we're not 'female DPs.