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As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for othe
As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for othe
As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for othe
As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for othe
As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for othe
As for how criticism of Keats' poetry relates to criticism of my own work, I'll leave that for othe
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Jane Campion:
I think that the romantic impulse is in all of us and that sometimes we live it for a short time, bJane Campion:
But short films are not inferior, just different. I think the short gives a freedom to film-makers.Jane Campion:
I had a daughter who was 9 years old and I had the feeling I wasn't going to be a real parent if IJane Campion:
When I read Andrew Motion's biography, I wept. It's something about the purity of the story and howJane Campion:
If you read Keats's poems, they're often full of doubts and anxieties. They can be quite tough.Jane Campion:
I'm a much better filmmaker than painter. But studying it did make me visually acute and taught meJane Campion:
A message I've been telling myself: the cinema is very conservative, and unless you have a story thJane Campion:
When you first fall in love it's so thrilling, you can't wait to throw yourself away and make thisJane Campion:
I can get very philosophical and ask the questions Keats was asking as a young guy. What are we herJane Campion:
I would love to see more women directors because they represent half of the population - and gave b