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As I've gotten less righteous, less pedagogic, I have become more loving of the artificiality, the
As I've gotten less righteous, less pedagogic, I have become more loving of the artificiality, the
As I've gotten less righteous, less pedagogic, I have become more loving of the artificiality, the
As I've gotten less righteous, less pedagogic, I have become more loving of the artificiality, the
As I've gotten less righteous, less pedagogic, I have become more loving of the artificiality, the
As I've gotten less righteous, less pedagogic, I have become more loving of the artificiality, the
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Ira Sachs:
My father moved out to Park City in in the mid-'70s and lived in a Winnebago behind a hippie jointIra Sachs:
I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly stIra Sachs:
I conveniently was not accepted to film school, which I applied to in 1987, and so I decided I woulIra Sachs:
It's easy to make a film, but it's hard to make a career of being a filmmaker.Ira Sachs:
I realize I have strength as an artist and professional by embracing my difference instead of whatIra Sachs:
Everyone wants to belong, and everyone needs to belong in order to make a career on some level.Ira Sachs:
By 15, I was lucky enough to find the theater.Ira Sachs:
By 1988, I was living in New York myself.Ira Sachs:
Seeing the road show of 'A Chorus Line' in 1977 at the Orpheum Theater in downtown Memphis was a liIra Sachs:
'How to Survive a Plague' is history-telling at its best. It's a film I'll show my two children, no