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As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the
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Andy Goldsworthy:
A stone is ingrained with geological and historical memories.Andy Goldsworthy:
I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flameAndy Goldsworthy:
Snow provokes responses that reach right back to childhood.Andy Goldsworthy:
A snowball is simple, direct and familiar to most of us. I use this simplicity as a container for fAndy Goldsworthy:
Occasionally I have come across a last patch of snow on top of a mountain in late May or June. TherAndy Goldsworthy:
Even in winter an isolated patch of snow has a special quality.Andy Goldsworthy:
It takes between three and six hours to make each snowball, depending on snow quality. Wet snow isAndy Goldsworthy:
The first snowball I froze was put in my mother's deep freeze when I was in my early 20s.Andy Goldsworthy:
Confrontation is something that I accept as part of the project though not its purpose.Andy Goldsworthy:
People also leave presence in a place even when they are no longer there.