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Coming from the music business and seeing the transition from artists to fans, fans to consumers, i
Coming from the music business and seeing the transition from artists to fans, fans to consumers, i
Coming from the music business and seeing the transition from artists to fans, fans to consumers, i
Coming from the music business and seeing the transition from artists to fans, fans to consumers, i
Coming from the music business and seeing the transition from artists to fans, fans to consumers, i
Coming from the music business and seeing the transition from artists to fans, fans to consumers, i
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Troy Carter:
Exclusives are bad for artists, bad for consumers, and bad for the whole industry.Troy Carter:
I was brought onboard to strengthen the bridge between Spotify and the music community.Troy Carter:
Money doesn't make me tick. This definition of success doesn't make me tick. Managing some of the bTroy Carter:
There were a lot of stereotypes that I had to break of how people in the entertainment industry doTroy Carter:
When you look at how technology companies are funded, it's not a zero-sum game. It could be 20 inveTroy Carter:
There's less clutter in the beverage category than in the music category. A lot less clutter.Troy Carter:
Technology is going to play a huge part in tomorrow's music business. And the companies that will wTroy Carter:
Music is one of those businesses in which, if you're talented and hustle hard enough, you can makeTroy Carter:
My third hire when I came to Spotify was Tiffany Kumar, who came on as our global head of songwriteTroy Carter:
I think overall, and this isn't specific to Spotify or any streaming service or any label... when y