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Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean p
Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean p
Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean p
Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean p
Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean p
Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean p
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James Fenton:
Working alone on a poem, a poet is of all artists the most free. The poem can be written with a modJames Fenton:
What I want, when I write a poem, is no more than this: that it be preserved in some published formJames Fenton:
In song the same rule applies as in dramatic verse: the meaning must yield itself, or yield itselfJames Fenton:
Sometimes I have thought that a song should look disappointing on the page - a little thin, perhapsJames Fenton:
Composers need words, but they do not necessarily need poetry. The Russian composer, Aleksandr MossJames Fenton:
Modernism in other arts brought extreme difficulty. In poetry, the characteristic difficulty importJames Fenton:
Free verse seemed democratic because it offered freedom of access to writers. And those who disdainJames Fenton:
Metrics are not a device for restraining the mad, any more than 'open form' or free verse is a praiJames Fenton:
In my opinion, it is easier to avoid iambic rhythms, when writing in syllabics, if you create a linJames Fenton:
Writing for the page is only one form of writing for the eye. Wherever solemn inscriptions are put