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E-mails, phone calls, Web sites, videos. They're still all letters, basically, and they've come to
E-mails, phone calls, Web sites, videos. They're still all letters, basically, and they've come to
E-mails, phone calls, Web sites, videos. They're still all letters, basically, and they've come to
E-mails, phone calls, Web sites, videos. They're still all letters, basically, and they've come to
E-mails, phone calls, Web sites, videos. They're still all letters, basically, and they've come to
E-mails, phone calls, Web sites, videos. They're still all letters, basically, and they've come to
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Walter Kirn:
A true nature is a gloomy monolith, sort of like that old black rotary phone that I had to sing 'HaWalter Kirn:
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJWalter Kirn:
No matter how you cut them, paste them, rotate them, or distort them, lip syncing and air-guitar plWalter Kirn:
Literary dementia seems dated now, but there was a time when a month in the funny farm was as de riWalter Kirn:
Writing about the future and the past is less a way of dramatizing change than of showing, by way oWalter Kirn:
If the future, as imagined in literature, is really the present taken to extremes, then the past isWalter Kirn:
The success that Americans are said to worship is success of a specific sort: accomplished not throWalter Kirn:
Truth is stranger than nonfiction. And life is too interesting to be left to journalists. People haWalter Kirn:
The future of time, of how it's won or lost, endured or enjoyed, expanded or compressed, will depenWalter Kirn:
One of the saddest things about publishing is how quickly it ages what it touches. The frenzy invol