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Each simian had a much different body suit, so besides trying to define class across species, there
Each simian had a much different body suit, so besides trying to define class across species, there
Each simian had a much different body suit, so besides trying to define class across species, there
Each simian had a much different body suit, so besides trying to define class across species, there
Each simian had a much different body suit, so besides trying to define class across species, there
Each simian had a much different body suit, so besides trying to define class across species, there
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Colleen Atwood:
Costumes are the first impression that you have of the character before they open their mouth-it reColleen Atwood:
As a designer, you have to solve a lot of problems. Even though people are wearing clothes that areColleen Atwood:
I have always loved beautiful leather objects, especially the detail that goes into designing themColleen Atwood:
I am always looking for ideas, whether it is in art on the street or in my world travels. It comesColleen Atwood:
The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me toColleen Atwood:
I don't design my own clothes. It's so not what I think about.Colleen Atwood:
For contemporary fashion, I'm a huge fan of so many of the people out there. I think Azzedine AlaiaColleen Atwood:
I always have a moment when I know I'm designing the last costume that gets made for a movie, and iColleen Atwood:
When I do period work, I really like to read about the period as much as I like to look at picturesColleen Atwood:
I'd say probably the most expensive costumes I've ever made were the costumes in 'The Planet of the