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Earlier in my life, I performed a lot of music. Some of it because I felt it was a demonstration, o
Earlier in my life, I performed a lot of music. Some of it because I felt it was a demonstration, o
Earlier in my life, I performed a lot of music. Some of it because I felt it was a demonstration, o
Earlier in my life, I performed a lot of music. Some of it because I felt it was a demonstration, o
Earlier in my life, I performed a lot of music. Some of it because I felt it was a demonstration, o
Earlier in my life, I performed a lot of music. Some of it because I felt it was a demonstration, o
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Michael Tilson Thomas:
Extreme volume in music very often disguises a lack of actually important content.Michael Tilson Thomas:
I can't do pieces I only admire technically. I have to feel some direct contact with them.Michael Tilson Thomas:
I think music needs to be presented in a way so that kids can grasp songs, dances, simple music thaMichael Tilson Thomas:
If we are able to get inside the music and inhabit it convincingly enough, it will cause everyone tMichael Tilson Thomas:
In earlier times, so many people sang much more. You know as a kid you'd go to some kind of religioMichael Tilson Thomas:
It's kind of scary sometimes, I've seen this a lot in Asia. Children are given music lessons, veryMichael Tilson Thomas:
The first year I started in San Francisco, there was an American work on every program and there'sMichael Tilson Thomas:
The whole path of American music has been so much about the recognition of stylistic diversity, andMichael Tilson Thomas:
They are representations of many shared hours of collaboration between us all. That's the real natuMichael Tilson Thomas:
You know, they were returning to the language of the people and trying to use musical language, par