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Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go
Everyone has to die. I'm not particularly scared about it. What really frightens me is that if I go
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Ennio Morricone:
It could have been extremely boring to write musical scores for only westerns of horror films. It wEnnio Morricone:
I was born in 1928, so in 1943, 1944, we had the war in Rome. There were a lot of hardships, a lackEnnio Morricone:
In my youth, cinemas showed two films in one day. I used to watch both of them. It may sound strangEnnio Morricone:
My more risky or avant garde music is not that well known to a wider audience, but I wish it was.Ennio Morricone:
I often use the same harmonies as pop music because the complexity of what I do is elsewhere.Ennio Morricone:
If you scroll through all the movies I've worked on, you can understand how I was a specialist in wEnnio Morricone:
I have to see a definitive cut of the film before I even start thinking about the music, I tell theEnnio Morricone:
De Palma is delicious! He respects music; he respects composers. For 'The Untouchables,' everythingEnnio Morricone:
I want people to know about all the kinds of music that I write. Some believe I just write film scoEnnio Morricone:
There are some directors who actually fear the possible success of music. They fear that the audien