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Everyone wants to be seen. Everyone wants to be heard. Everyone wants to be recognized as the perso
Everyone wants to be seen. Everyone wants to be heard. Everyone wants to be recognized as the perso
Everyone wants to be seen. Everyone wants to be heard. Everyone wants to be recognized as the perso
Everyone wants to be seen. Everyone wants to be heard. Everyone wants to be recognized as the perso
Everyone wants to be seen. Everyone wants to be heard. Everyone wants to be recognized as the perso
Everyone wants to be seen. Everyone wants to be heard. Everyone wants to be recognized as the perso
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Maria Semple:
I think a novel has to be about where you are at a given moment in time. I think it really needs toMaria Semple:
Ruthless concern with story is what I learned in television.Maria Semple:
And dialogue, I'm good at it, and it's because it's the only thing you have to work with in TV writMaria Semple:
I drop my kid off at school and then race home, and it's a very limited time. I can only do reallyMaria Semple:
On my walks, that's when the good ideas come. The kind of hard, gritty work is when you're sittingMaria Semple:
In a lot of ways, TV writing taught me how to be a good storyteller. I learned about dialogue, scenMaria Semple:
My father was a screenwriter, and I kind of grew up in that world.Maria Semple:
'Mad About You' fit my sensibility the most of any show that I worked on, and as a result, it was rMaria Semple:
I think because I try to keep things as real as I can, or I try to start from a place of reality, IMaria Semple:
I think that's the most important job of a novelist - to bring authority to their writing.