Choose quotes font
Few in the Nineties would have ventured to prophesy that the remote dim singer of the Celtic Twilig
Few in the Nineties would have ventured to prophesy that the remote dim singer of the Celtic Twilig
Few in the Nineties would have ventured to prophesy that the remote dim singer of the Celtic Twilig
Few in the Nineties would have ventured to prophesy that the remote dim singer of the Celtic Twilig
Few in the Nineties would have ventured to prophesy that the remote dim singer of the Celtic Twilig
Few in the Nineties would have ventured to prophesy that the remote dim singer of the Celtic Twilig
Next quotes
Austin Clarke:
Yeats regarded his work as the close of an epoch, and the least of his later lyrics brings the sensAustin Clarke:
When I first discovered for myself the Celtic Twilight and read the earlier poems of Yeats and otheAustin Clarke:
In expressing so completely his own type, Mr. Yeats presents us with the case for integrity. If weAustin Clarke:
Few realise that English poetry is rather like the British constitution, surrounded by pompous precAustin Clarke:
Reform and exchange in English poetry are as slow as in the British constitution itself.Austin Clarke:
Assonance is not the enemy of rhyme. It helps us to respect rhyme, which has been spoiled by mechanAustin Clarke:
Irish poetry has lost the ready ear and the comforts of recognition. But we must go on. We must beAustin Clarke:
In contrast to our sinking taste, there has been a revival of interest in verse drama in England, SAustin Clarke:
Moral training in Ireland is severe and lasts until marriage. Even in childhood, we are taught by tAustin Clarke:
Passion in Ireland is denounced as evil and obscene. Women are the snares set for us by the Devil.