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Film is changing, and it can't help but keep changing.
Film is changing, and it can't help but keep changing.
Film is changing, and it can't help but keep changing.
Film is changing, and it can't help but keep changing.
Film is changing, and it can't help but keep changing.
Film is changing, and it can't help but keep changing.
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Norman McLaren:
I don't know whether it ever comes back to the same thing; it does return to the spirit of a previoNorman McLaren:
Take a film of Jacques Tati like Mon Oncle which has something quite new - for me, unique - in it.Norman McLaren:
So people will come along and do new things and sometimes return to the spirit of an earlier age.Norman McLaren:
The process of art evolving is always one which has fascinated me.Norman McLaren:
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Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting elNorman McLaren:
The good moral work of art should have all the qualities that a good amoral work of art should haveNorman McLaren:
But it has, in addition, an even more precious quality - a consciousness of the human intelligence,Leo Rosten:
I learned that it is the weak who are cruel, and that gentleness is to be expected only from the stLeo Rosten:
Proverbs often contradict one another, as any reader soon discovers. The sagacity that advises us t