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Films have become shorter in length, jumpier in style, and simpler in story so that they can be mor
Films have become shorter in length, jumpier in style, and simpler in story so that they can be mor
Films have become shorter in length, jumpier in style, and simpler in story so that they can be mor
Films have become shorter in length, jumpier in style, and simpler in story so that they can be mor
Films have become shorter in length, jumpier in style, and simpler in story so that they can be mor
Films have become shorter in length, jumpier in style, and simpler in story so that they can be mor
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Matthew Pearl:
Beginning in the 1920s and 1930s, film has been a shadow thrown over the minds of all novelists. EvMatthew Pearl:
As new technology emerges as the greatest challenge to novels since the advent of film, it may be tMatthew Pearl:
The novel has always been a contradictory form. Here is a long form narrative mainly read originallMatthew Pearl:
My high school English teacher in junior year, Dr. Robert Parsons, assigned us some Poe stories, inMatthew Pearl:
I still have my high school copy of the collected Poe - missing its covers and pretty worse for theMatthew Pearl:
I think respectful conflict is intrinsic to the spirit of literature. It reminds us that literary hMatthew Pearl:
One important idea I hope is reflected in 'The Poe Shadow' is that fiction can add as much to histoMatthew Pearl:
Harvard was also a little bit of a villain in my first book, 'The Dante Club.' I guess there mightMargaret Atwood:
If I pick up a book with spaceships on the cover, I want spaceships. If I see one with dragons, I wVictor Hugo:
To contemplate is to look at shadows.