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For working with non-professional actors, you have to have this particular desire to work with peop
For working with non-professional actors, you have to have this particular desire to work with peop
For working with non-professional actors, you have to have this particular desire to work with peop
For working with non-professional actors, you have to have this particular desire to work with peop
For working with non-professional actors, you have to have this particular desire to work with peop
For working with non-professional actors, you have to have this particular desire to work with peop
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Bruno Dumont:
Matching character and actor is what a good director does.Bruno Dumont:
You can't create a movie as you think about it. And what's in the scene is not what's being seen. ABruno Dumont:
Your relationship to a film, and to cinema, is very much determined by yourself, so what is relevanBruno Dumont:
When you make movies, you have to be preoccupied with the social problems, otherwise there is no poBruno Dumont:
I think there's not a lot of real filmmakers. There are only a few people who make real cinema. I cBruno Dumont:
I think that the cinema is a physical thing. What I'm looking for is creating a physical shock withBruno Dumont:
No movie can claim to be a work of philosophy. They fulfill a totally different need in people.Bruno Dumont:
I'm not Catholic. I don't believe in God. But at the same time, I'm obsessed by the sacred, by spirBruno Dumont:
To retain his dignity, an artist must live in opposition. He must be critical of his country. If noBruno Dumont:
Women exist in my imagination. So they are necessarily a type of abstraction. Many women criticise