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France, for example, loves at the same time history and the drama, because the one explores the vas
France, for example, loves at the same time history and the drama, because the one explores the vas
France, for example, loves at the same time history and the drama, because the one explores the vas
France, for example, loves at the same time history and the drama, because the one explores the vas
France, for example, loves at the same time history and the drama, because the one explores the vas
France, for example, loves at the same time history and the drama, because the one explores the vas
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Alfred de Vigny:
From this, without doubt, sprang the fable. Man created it thus, because it was not given him to seAlfred de Vigny:
I think, then, that man, after having satisfied his first longing for facts, wanted something fulleAlfred de Vigny:
Just as we descend into our consciences to judge of actions which our minds can not weigh, can we nAlfred de Vigny:
No writer, no matter how gifted, immortalizes himself unless he has crystallized into expressive anAlfred de Vigny:
Of late years (perhaps as a result of our political changes) art has borrowed from history more thaAlfred de Vigny:
Of what use is the memory of facts, if not to serve as an example of good or of evil?Alfred de Vigny:
Of what use were the arts if they were only the reproduction and the imitation of life?Alfred de Vigny:
On the day when man told the story of his life to man, history was born.Alfred de Vigny:
One might almost reckon mathematically that, having undergone the double composition of public opinAlfred de Vigny:
The acts of the human race on the world's stage have doubtless a coherent unity, but the meaning of