George Orwell's '1984' frequently tops surveys of our greatest books: it's not a celebration of poetic language. It's decidedly anti-literary, a masterpiece of personal and political narrative sequence. And its subject matter is crucial, because what '1984' shows is that language can be a dirty trick.
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Graham Joyce:
I'd defend the right for any novelist to experiment with form or language, but if people don't takeGraham Joyce:
If critics of 'readable fiction' want literature to change the ways people dream, they need first tGraham Joyce:
I've been playing 'Doom' for some years.Graham Joyce:
Since I've been hired to contribute to the storyline of 'Doom 4' I can say what was always true anyGraham Joyce:
My story reflexes come less from fantasy or horror than from the darker sort of psychological thrilGraham Joyce:
Rome is a place almost worn out by being looked at, a city collapsing under the weight of referenceGraham Joyce:
If I couldn't get published tomorrow I'd still be writing. It's something to do with feeling so oveGraham Joyce:
I have to get out once a week and speak with people or I start thinking I'm the emperor of AbyssiniGraham Joyce:
Our literary culture is marinated in deep traditions of the fantastic and the supernatural, and weJeff Goldblum:
Well, Well, Well, its certainly a compelling provocative exciting delicious to think about idea, sm