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Graphic design, which evokes the symmetria of Vituvius, the dynamic symmetry of Hambidge, the asymm
Graphic design, which evokes the symmetria of Vituvius, the dynamic symmetry of Hambidge, the asymm
Graphic design, which evokes the symmetria of Vituvius, the dynamic symmetry of Hambidge, the asymm
Graphic design, which evokes the symmetria of Vituvius, the dynamic symmetry of Hambidge, the asymm
Graphic design, which evokes the symmetria of Vituvius, the dynamic symmetry of Hambidge, the asymm
Graphic design, which evokes the symmetria of Vituvius, the dynamic symmetry of Hambidge, the asymm
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Paul Rand:
Any system that sees aesthetics as irrelevant, that separates the artist from his product, that fraPaul Rand:
Copy, art, and typography should be seen as a living entity; each element integrally related, in haPaul Rand:
The reason I always insisted on signing my work was not to be subordinate to anyone.Paul Rand:
I haven't changed my mind about modernism from the first day I ever did it... It means integrity; iPaul Rand:
I never did calligraphy... But handwriting is an entirely different kind of thing. It's part of thePaul Rand:
I would say that an understanding of man's intrinsic needs, and of the necessity to search for a clPaul Rand:
If I was influenced by anything, it was architecture: structure having to do with logic. If you donPaul Rand:
Pictures, abstract symbols, materials, and colors are among the ingredients with which a designer oPaul Rand:
The principal role of a logo is to identify, and simplicity is its means... Its effectiveness depenPaul Rand:
In the West, we look at art through life. Well, that's one way of living. In the Orient they look a