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He also didn't like a lock of my hair and said that he couldn't get into the moment without the hai
He also didn't like a lock of my hair and said that he couldn't get into the moment without the hai
He also didn't like a lock of my hair and said that he couldn't get into the moment without the hai
He also didn't like a lock of my hair and said that he couldn't get into the moment without the hai
He also didn't like a lock of my hair and said that he couldn't get into the moment without the hai
He also didn't like a lock of my hair and said that he couldn't get into the moment without the hai
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Madeleine Stowe:
I remember feeling that Michael was extremely sensitive when it came to that moment. Most directorsMadeleine Stowe:
My driver Kellie Frost and I would race these fellows home and they were always faster on the highwMadeleine Stowe:
Yes, the marriage proposal was shot. Michael excluded the dialogue from the final edit.Madeleine Stowe:
There came a point in time when Michael was under a great deal of pressure to alter the film in a wMadeleine Stowe:
It was exactly what was released two months later with the exception of a couple of reaction shotsMadeleine Stowe:
I phoned Joe Roth, who was head of the studio at the time, and told him how beautiful the film was,Madeleine Stowe:
The weather was turning cold and I remember that Dante was using nothing but natural light as his eMadeleine Stowe:
It was treacherous. I think someone was injured. But I did love being there, we all did.Madeleine Stowe:
Because of the tension and difficulty, I remember trying to do the silliest things when we weren'tMadeleine Stowe:
I genuinely liked all of the cast members very much. Steve had a wicked sense of humor. I remember