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I always think of my films within the context of where aesthetics meet economics. That's the nature
I always think of my films within the context of where aesthetics meet economics. That's the nature
I always think of my films within the context of where aesthetics meet economics. That's the nature
I always think of my films within the context of where aesthetics meet economics. That's the nature
I always think of my films within the context of where aesthetics meet economics. That's the nature
I always think of my films within the context of where aesthetics meet economics. That's the nature
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Ira Sachs:
For me, every film is actually a form of documentary.Ira Sachs:
I've always been interested in how the individual comes to know and accept him or herself, which IIra Sachs:
As a gay person, my life has been marginalized.Ira Sachs:
Everything encourages you not to tell stories of gay lives. There is no economy yet for that kind oIra Sachs:
As independent filmmakers, we are actually deeply dependent on each other. The Spirit Awards are aIra Sachs:
I got into filmmaking in order to tell very personal stories, and in this day and age, the opportunIra Sachs:
You can only begin to share life well when you think well of yourself.Ira Sachs:
Without community events like NewFest, I don't think we'd have a queer cinema in America.Ira Sachs:
My films might have been queer - because I was - but they were not gay.Ira Sachs:
Being an artist is in part an act of rupture.