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I am certain that most composers today would consider today's music to be rich, not to say confusin
I am certain that most composers today would consider today's music to be rich, not to say confusin
I am certain that most composers today would consider today's music to be rich, not to say confusin
I am certain that most composers today would consider today's music to be rich, not to say confusin
I am certain that most composers today would consider today's music to be rich, not to say confusin
I am certain that most composers today would consider today's music to be rich, not to say confusin
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George Crumb:
One very important aspect of our contemporary musical culture - some might say the supremely importGeorge Crumb:
I have observed, too, that the people of the many countries that I have visited are showing an everGeorge Crumb:
Unquestionably, our contemporary world of music is far richer, in a sense, than earlier periods, duGeorge Crumb:
Nonetheless, I sense that it will be the task of the future to somehow synthesize the sheer diversiGeorge Crumb:
The advent of electronically synthesized sound after World War II has unquestionably had enormous iGeorge Crumb:
The development of new instrumental and vocal idioms has been one of the remarkable phenomena of reGeorge Crumb:
Perhaps of all the most basic elements of music, rhythm most directly affects our central nervous sGeorge Crumb:
Perhaps many of the perplexing problems of the new music could be put into a new light if we were tGeorge Crumb:
Although technical discussions are interesting to composers, I suspect that the truly magical and sGeorge Crumb:
In a broader sense, the rhythms of nature, large and small - the sounds of wind and water, the soun