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I am kind of a curmudgeonly person, so I don't gravitate to groups or traditions, which is probably
I am kind of a curmudgeonly person, so I don't gravitate to groups or traditions, which is probably
I am kind of a curmudgeonly person, so I don't gravitate to groups or traditions, which is probably
I am kind of a curmudgeonly person, so I don't gravitate to groups or traditions, which is probably
I am kind of a curmudgeonly person, so I don't gravitate to groups or traditions, which is probably
I am kind of a curmudgeonly person, so I don't gravitate to groups or traditions, which is probably
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Anne Carson:
I don't know that we really think any thoughts; we think connections between thoughts. That's whereAnne Carson:
There is something about the way that Greek poets, say Aeschylus, use metaphor that really attractsAnne Carson:
I mean, every thought starts over, so every expression of a thought has to do the same. every accurAnne Carson:
When I began to be published, people got the idea that I should 'teach writing,' which I have no idAnne Carson:
We're talking about the struggle to drag a thought over from the mush of the unconscious into someAnne Carson:
There are different gradations of personhood in different poems. Some of them seem far away from meAnne Carson:
I do think I have an ability to record sensual and emotional facts and factoids, to construct a conAnne Carson:
I do think that something of the effect I have on people is to put everything on an edge where theyAnne Carson:
Maybe I could have been good as a drawer if I had done it as much as I did writing, but it's more sAnne Carson:
I started to learn Greek when I was in high school, the last year of high school, by accident, beca