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I believe that, in an ideal world, writers would feel free to write what matters to them without ha
I believe that, in an ideal world, writers would feel free to write what matters to them without ha
I believe that, in an ideal world, writers would feel free to write what matters to them without ha
I believe that, in an ideal world, writers would feel free to write what matters to them without ha
I believe that, in an ideal world, writers would feel free to write what matters to them without ha
I believe that, in an ideal world, writers would feel free to write what matters to them without ha
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Claire Messud:
The effort to create a work of art that is true and potentially lasting, that is the very best workClaire Messud:
The more accurately one can illuminate a particular human experience, the better the work of art.Claire Messud:
As any of us approaches middle age, we inevitably come up against our limitations: the realizationClaire Messud:
If I had to summarize, most broadly, my concerns as a writer, I'd say the question 'How then must wClaire Messud:
I wanted to write a voice that for me, as a reader, had been missing from the chorus: the voice ofClaire Messud:
An abiding preoccupation for me is how much of our lives are invisible and unknown by other people,Claire Messud:
As a reader since very early, I have found myself drawn to rants.Claire Messud:
I was in my senior year of high school when I read 'Notes From Underground' by Dostoyevsky, and itClaire Messud:
For many of us, we set out thinking there will be time in the future, and then suddenly we find ourClaire Messud:
My mother turned 40 in 1973. So in 1970 - when 'The Female Eunuch' came out and Ms. magazine was fo