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I came to these mediums through having the garden, and of course, people who have designed gardens
I came to these mediums through having the garden, and of course, people who have designed gardens
I came to these mediums through having the garden, and of course, people who have designed gardens
I came to these mediums through having the garden, and of course, people who have designed gardens
I came to these mediums through having the garden, and of course, people who have designed gardens
I came to these mediums through having the garden, and of course, people who have designed gardens
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Ian Hamilton Finlay:
My position is that since the non-secular status of my garden is not recognised by the law; by theIan Hamilton Finlay:
The same sort of thing happened in my dispute with the National Trust book: Follies: A National TruIan Hamilton Finlay:
Little Sparta is a garden in the traditional sense. It is perhaps not like other modern gardens, buIan Hamilton Finlay:
I have often said that just as the French revolution, for instance, understood itself through antiqIan Hamilton Finlay:
I am always a beginner. I only try to include different parts of life; the pastoral, the tragic, etIan Hamilton Finlay:
If the work is pure then you have to think it could be understood. If it is not understood it doesnIan Hamilton Finlay:
However, I don't feel the world is looking over my shoulder when I am working - I never think aboutIan Hamilton Finlay:
What you compose with is neither here nor there, you compose with words, or you compose with stoneIan Hamilton Finlay:
But you have to understand that I consider myself a very modest artist, or whatever, and not of impIan Hamilton Finlay:
Well, probably I was fed up with concrete poetry. There was a lot of bad concrete poetry and beside