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I come home from work and I have a six-year-old I have to cook for, so to be completely honest with
I come home from work and I have a six-year-old I have to cook for, so to be completely honest with
I come home from work and I have a six-year-old I have to cook for, so to be completely honest with
I come home from work and I have a six-year-old I have to cook for, so to be completely honest with
I come home from work and I have a six-year-old I have to cook for, so to be completely honest with
I come home from work and I have a six-year-old I have to cook for, so to be completely honest with
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Hildur Gudnadottir:
There's been a tendency to think that TV music has to be cheap and fast and for films it has to beHildur Gudnadottir:
Because in both TV and film every story under the sun is being told, and so music shouldn't be restLou Doillon:
I always lived with guitarists. When they would leave, I would just pick up their acoustic guitarsLou Doillon:
What I realized is that the desire for making 'Places' came from the fact that I've got this strangLou Doillon:
I have a huge scarf from Hermes that I bought the day I signed my record deal. I had never had an HLou Doillon:
I've always found that fashion is, first of all, mainly for yourself. So my two icons are, on one sLou Doillon:
I was raised by muses. Women who had men in awe of them and who wrote them movies and wrote them muLou Doillon:
With fashion, my mother was an icon, but she never lived it in the sense that she was never obsesseLou Doillon:
My mother always spoke to me in English, so it's technically my maternal language, and it became aLou Doillon:
The whole process of music for me is something absolutely honest and really naked and bare, so I ne