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I didn't know much about Texas when I moved there for graduate school. In my first or second semest
I didn't know much about Texas when I moved there for graduate school. In my first or second semest
I didn't know much about Texas when I moved there for graduate school. In my first or second semest
I didn't know much about Texas when I moved there for graduate school. In my first or second semest
I didn't know much about Texas when I moved there for graduate school. In my first or second semest
I didn't know much about Texas when I moved there for graduate school. In my first or second semest
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Philipp Meyer:
If you're always thinking about someone else's work, about the tradition you're working in, how canPhilipp Meyer:
When you start to look at Native American history, you realize that, very far from being a peacefulPhilipp Meyer:
Texas was mostly short-grass and tall-grass prairie when modern Europeans arrived here. It really wPhilipp Meyer:
I wanted to think about our creation myth; you know, what is the fundamental story that defines AmePhilipp Meyer:
When I dropped out of high school at age 16, I didn't know I was going to become a writer - I justPhilipp Meyer:
I don't think you can be taught how to make art. You can be coached, but on a fundamental level youPhilipp Meyer:
I'm interested in getting deep into a person's consciousness and doing so in ways in which the narrPhilipp Meyer:
When you look at 'Grapes of Wrath,' the weakest moments are those in which Steinbeck is spouting aPhilipp Meyer:
Your job as a writer is to find storylines, narrative structures, and characters to show the thingsPhilipp Meyer:
Fundamentally, all art is about human beings. You're always showing larger moral questions through