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I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a
I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a
I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a
I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a
I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a
I don't actually like blocking actors. I prefer giving actors freedom. They don't have to step on a
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Jose Padilha:
I like to give dimension to shots inside action scenes. It's demanding because you have to rehearseJose Padilha:
If you are in Brazil and you grew up in a right-wing dictatorship, you think Marxism is liberating.Jose Padilha:
No wonder we have a lot of violence in Rio: the corrupt and violent policemen meet the violent crimJose Padilha:
We make violent cops, we make violent criminals, and no wonder we have shootouts in slums all of thJose Padilha:
I think the media needs a little criticizing now, as it did in the '80s, don't you?Jose Padilha:
The way that I sort of direct the writers is, let's do the best story we can. Let's not worry aboutJose Padilha:
I love the sharpness and political tone of RoboCop and I think that such a film is now urgently neeJose Padilha:
How do you make RoboCop? How do you slowly bring a guy to be a robot? How do you actually take humaJose Padilha:
RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brJose Padilha:
I have to be clear with myself and very conscious of what I am trying to say. Misunderstandings wil