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I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have
I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have
I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have
I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have
I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have
I don't believe in ghosts and have never seen one. I wish I could see one, and I would like to have
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Otto Penzler:
One of the hopes we have when we hear or read an interview with a mystery writer is to get inside tOtto Penzler:
It was really in the Golden Age, between the two world wars, when the pure detective story - of whiOtto Penzler:
Mysteries include so many things: the noir novel, espionage novel, private eye novels, thrillers, pOtto Penzler:
A lot of locked-room mysteries take time for you to pay attention and see the setup. They aren't thOtto Penzler:
To this day, I've never figured out a single locked-room mystery.Otto Penzler:
A pulp story without a detective and, obviously, somebody for him to do battle with is unthinkable,Otto Penzler:
Big cities do evoke a sense of menace.Otto Preminger:
I can't talk about every single film I made. It's not my way to go back into the past and to look aOtto Preminger:
Directing her was like directing Lassie. You need 14 takes to get each one of them right.Otto Preminger:
When I was a young actor in Vienna, already my hair was falling out at a rapid rate. I went to a do