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I dread the promotion part of my job. It's agony, especially compared to the private, at-home joy o
I dread the promotion part of my job. It's agony, especially compared to the private, at-home joy o
I dread the promotion part of my job. It's agony, especially compared to the private, at-home joy o
I dread the promotion part of my job. It's agony, especially compared to the private, at-home joy o
I dread the promotion part of my job. It's agony, especially compared to the private, at-home joy o
I dread the promotion part of my job. It's agony, especially compared to the private, at-home joy o
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Antoine Predock:
I like to think about machines and technology in relation to landscape and architecture.Antoine Predock:
I try to understand place on a deeper level than just the physical or environmental aspects. It incAntoine Predock:
Underwater, I experience space with my body. I'll see a school of fish gathering and moving togetheAntoine Predock:
I didn't know what architecture was except that I lived in a house. I don't even think that I knewAntoine Predock:
One of the things I think about as I've evolved as an architect is, 'Where do the poetic impulses cAntoine Predock:
The prime communities of the Southwest are survival communities. Their sustenance is governed by raAntoine Predock:
The legendary tumbleweed is really a nurse crop that protects the growth of prairie grasses under iAntoine Predock:
My beginnings in the Southwest are clear and palpable. My beginnings here made me pay attention toAntoine Predock:
The connection to place, to the land, the wind, the sun, stars, the moon... it sounds romantic, butAntoine Predock:
Anything I do informs how I design. I wouldn't isolate any one activity. Everything I do feeds back