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I feel this is very important for us to have serene buildings because our civilization is chaotic a
I feel this is very important for us to have serene buildings because our civilization is chaotic a
I feel this is very important for us to have serene buildings because our civilization is chaotic a
I feel this is very important for us to have serene buildings because our civilization is chaotic a
I feel this is very important for us to have serene buildings because our civilization is chaotic a
I feel this is very important for us to have serene buildings because our civilization is chaotic a
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Minoru Yamasaki:
And I think that the environment is one very strong way to counterbalance the chaotic nature of ourMinoru Yamasaki:
Because, if we understand how a building is to be produced and we find a way that it can be more siMinoru Yamasaki:
I want to do very useful buildings and I would like to find a method of producing these buildings tMinoru Yamasaki:
And sometimes I'm criticized. But I think that if those who criticize us will look at the reason whMinoru Yamasaki:
And I feel that we in our society should not be held by any such myth; that we should do everythingMinoru Yamasaki:
If you examine this, I think that you will find that it's the mechanics of Japanese architecture thMinoru Yamasaki:
We build buildings which are terribly restless. And buildings don't go anywhere. They shouldn't beMinoru Yamasaki:
If you have white walls, human beings look better in a room than if you have red walls.Minoru Yamasaki:
And exciting buildings are fine periodically.Minoru Yamasaki:
I have been criticized rather strenuously by painters and sculptors for not incorporating their wor